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Self-Direction in Adult Students

Mon November 17th, 2008 by Leah Coutts

One of the major differences between teaching children or teaching adults is that children in general are dependent on their teacher for what to learn, how to learn, and how to apply their knowledge for a longer time period than adults. Adults, on the other hand, have a need to be self-directed and problem-solve for themselves.

It is a goal of mine to have my adults learning pieces autonomously as soon as possible, and this is a good indication that I am equipping them with the right skills to learn music for life, rather than just being able to play the pieces they learn in the lessons. It’s not about me wanting to become obsolete, rather that I wish to become a ‘guide’ rather than a ‘teacher.’ 

When I get a new adult piano student that has no musical experience whatsoever, we always take the time to plan some goals – both long and short-term. It is important for them to cover the foundation repertoire and skills; however, it is important to their motivation and to my lesson planning to know what direction they wish to head, and what music inspires them. Of course, they will be dependent on me at the start, as I need to teach them the language of music, but the sooner they can apply their new-found knowledge on their own, the better for their self-esteem and desire to continue.  

When teaching a beginner adult early repertoire, we don’t just go through the notes and what to play, we also talk about the make-up of the piece (this is also useful for younger students). To show the transference of skills from one piece to the next, I always relate new pieces to ones they already have a good grasp on that contain similar pedagogical ideas. By analyzing the chord structure and repeated patterns before they have played a single note, they have set themselves up to approach the music with more success than just randomly playing note-to-note. As soon as they are ready, I aim to supplement their method book with other pieces, to keep them challenged and motivated. These pieces generally take them longer to learn than the small pieces in the method book that can be turned over in a week or two. These are always chosen by the students from a listening list that I supply, giving them more control over their repertoire. 

At the end of each lesson, I aim to give my adult students a ‘challenge piece’ – i.e., a piece that we haven’t had time to cover in the lesson.  They each have a sheet of paper explaining how to find patterns and break down pieces, and this serves as their guide at home. By getting them to tackle these pieces without guidance, it reveals their weaker areas; be it following fingering or noticing a change of hand position or key, and leads the way for what we work on in the next lesson.  

I find teaching adult students extremely gratifying, especially as they learn to enjoy the process, as well as the end result of finishing a piece of music. By giving them the skills to continue the process on their own, they are more likely to become long-term musicians.

About the Author

leahcoutts

Leah Coutts is a private piano teacher in Brisbane, Australia. She completed her Bachelor of Music Studies in November of 2004, with Awards in Academic Excellence in each year, and is a member of the Golden Key International Honour Society. Having completed all grades in Electric Organ and moving onto pipe organ at university, under the internationally acclaimed Christopher Wrench’s direction, Leah is now completing the Associate Performance Diploma (AMusA) on piano. As well as private music tuition, her musical experience includes mentoring Music Theory at the Griffith Conservatorium of Music, as well as work for the Music Council of Australia, Fine-Print Music Printing and Typesetting, and the Queensland Conservatorium Research Centre. In 2009 Leah will be returning to the Conservatorium of Music to pursue further study, majoring in Pedagogy so that she may pursue her interest in teaching piano. Her main focus will be research on teaching adults, as this is her area of interest, and an area that needs further study here in Australia.

4 Comments (Add Comment)

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  1. Hi Leah, thanks for the post. I think you make some very interesting points.

    I was particularly drawn to the comments in the second paragraph. This is something I have long believed myself - if I do my job properly then the student should eventually be able to teach themselves. I do like the view of teacher becoming a guide for more able students.

    Mike.

    by How To Practise — Tue Nov 18, 2008 @ 1:56 pm

  2. Thank you for your comment, and I'm pleased that the idea of the teacher as a 'guide' struck a chord with you. I had a student come to me last week who was so pleased with himself, as he had bought a book with film music arrangements for piano, and had taught himself one of the pieces. It was so satisfying for me to see that he had taken the initiative not only to find music that he wanted to learn, but also to have a go with no assistance. It also gave me an indication of the direction he wished to go with his piano playing.

    by Leah Coutts — Tue Nov 18, 2008 @ 7:55 pm

  3. Tell me a little more about your "listening list". That is an intriguing idea. I am starting a Recreational Music Making program in Pueblo, CO, for adult piano beginners. What materials have you found work well with adult beginners?

    by Chris Brown — Sun Nov 23, 2008 @ 8:18 pm

  4. Hi Chris, I must admit, I find that most adult beginner method books out there are quite dated, or not very motivational with song material, layout etc. However, they are a necessary evil, as we need to start somewhere. I use Bastein for Older Beginner. Saying that, as soon as I can, I want to supplement the book with other materials. Here in Australia, the AMEB (Australian Music Examination Board) materials normally used for those wishing to do exams, offer a variety of styles in a graded way, with the classical syllabus, or 'piano for leisure' syllabus, which includes more jazzy or popular pieces, including themes from movies or TV shows. The reason I choose to use some pieces from these is because I know that there is pedagogical value. We do choose pieces from the radio that they would like to learn as well, but the simplified versions are not particularly full of technical or musical value. The listening list I have includes the music from the different AMEB syllabus' that I have found to be popular with adults. Not all people like classical, but I have found that a majority like the classical pieces we all recognise (Fur Elise is a classic example!)The theme from Pink Panther and Phantom of the Opera also seem to be popular. We go through a pick a few pieces from the written list of titles, and then I play/a recording of a couple and they choose from there. Also, to compliment the method book, I also use the Dozen A Day books. Even though these are normally aimed at children, the technique exercises work well with adults as well and are great for beginners.
    Hope this helps a little, or gives you a few ideas.

    by Leah Coutts — Mon Nov 24, 2008 @ 4:25 pm

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