Practicing an instrument is an act that combines both mental and physical energies. I know that is an obvious statement, but as music teachers, how many of our students use practice to “go through the motions” without engaging in what they are doing? Hopefully not many, of course, but I’m sure there are times when awareness is lacking. What can music teachers do to help students prepare for their practice time, and what can students to do ready their minds and bodies in preparation for the good work they are about to do? The answer – stretch.

Stretching brings your awareness to your body – to how you feel and move. It has the ability to focus the mind away from other distractions and to bring it into the moment. It also helps to limber up the body, to release tension that may inhibit free movement at the instrument, and to prevent strains and possible injuries related to practice. Taking three minutes at the start of each lesson to stretch with the student not only ensures that we as teachers are not building tension by teaching for long periods without moving, but also awakens the student’s mind to the task at hand. It also introduces the habit of stretching before playing at home.

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Posted in Practicing, Teaching Tips

KeysI still remember clearly the first time I accompanied a friend’s flute performance while I was in high school. As a pianist I had never experienced playing in an ensemble and having to follow someone else’s lead was a real shock! Now, the majority of my work as a pianist involves playing with other musicians – either accompanying or playing chamber music. While this is the main reason that I ensure all of my students play piano duets, there are plenty of other benefits. Read more…

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Posted in Performing, Practicing, Teaching Tips

Something I’ve been working on in studio lately is how to make sure the students really understand what to do and how to practice.  To that end, I’ve been re-evaluating how I’m telling students information.  The realization I came up with is simple:

Don’t do… = MANY options to replace the undesired behavior.

Do… = ONE option for the student to accomplish.

How much more efficient would our lessons be, and how much more productive would our students’ practice be, if we focused on this one small aspect of our teaching language: always tell your students what to do and how to accomplish it, rather than what not to do?

Especially as a voice teacher, I find that this little instruction helps to clarify (along with my recent posting on asking students “What does it mean to you when I say that?”) information for the students.

I then write this information into the student notes that I take on my computer as I teach.  At the end of the lesson, I copy the notes from the student’s computer file and paste them into the “Reconcile lesson” function in Music Teachers Helper.  Voila! The student has a reminder, I have a reminder of the language that worked for the student, so I can use it next week, and the student has a clear understanding of what to practice doing, rather than what to avoid.

What kinds of language do you use in your music teaching?  Have you changed any approaches recently?  Why or why not?

Happy music making!

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Posted in Practicing, Teaching Tips

Bella Payne

Keeping It Fresh

February 19th, 2012 by

I am close to reaching my 8th year as a private music teacher. At this point, it is very easy to get a little too comfortable and just assume there will always be work. Well, last week I lost 2 students! TWO! That is a lot! I am used to telling people “Sorry I’m full. Can’t take any new students.” My popularity was such a luxury and I began to think it would always carry me through.  Now don’t worry… 2 lost students will not put me in a financial decline, but it is enough to shake me up and make me remember what made me popular to begin with. And also.. to evaluate what may have gone wrong.

2011 was a tough year for me. A divorce and 2 apartment moves. “Unsettling” does not begin to describe what this past year felt like.  So I can see how my normal excitement for creating innovative lesson plans took a back seat to simple daily survival. But alas, I am now settled into a wonderful new life, and I am ready to take charge again.  After 8 years, things can get stale, but just like a relationship, you need to do whatever it takes to keep the spark alive. So here are the best of my ideas for doing just that: Read more…

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Posted in Teaching Tips

This is an article by guest author Amanda Tradwick

Often, the cost of a new instrument can be prohibitive for some parents
whose children want to start learning how to play an instrument.
However, there are many options for finding affordable instruments to make
it possible for any family budget to accommodate these musical aspirations.
As a music teacher, you can help parents understand these options. Here are
some ideas:

Rentals
Some music stores offer rental programs for their instruments, which
some parents might find more financially accessible. Rentals are also
a good option for parents who aren’t sure that their children are
serious about their musical studies. They can rent the instrument while their child
determines if it’s the right instrument to study. The student may lose
interest or could decide that another instrument is more appealing.
Parents should be sure to choose a reputable store and should limit
the overall length of time of the rental. Prolonged renting will make
the instrument cost more than purchasing it.

Used Instruments
Many quality used instruments are available through a number of Read more…

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Posted in Practicing, Teaching Tips

Leila Viss

Digital Music from Down Under

February 15th, 2012 by

In need of energetic, supplemental piano repertoire to “save a student” or “please that hard-to-please boy?”  Interested in digital editions that can be downloaded with ease? You might consider Danial McFarlane’s collections entitled Soundscapes, Soundwaves and Supersonics.

Here are some thoughts after a brief encounter with these sizable collections:

What You Will Find

Sounds: As the titles indicate, the collections contain pupil-pleasing, contrasting images of sound. Each piece is aptly titled and the fonts for titles are cleverly matched.

Style: These accessible “sounds” capture various current styles–salsa, ragtime, funk, boogie, new age…with distinct rhythm patterns and unique, catchy motives.

Syncopation: McFarlane has a vast rhythmic imagination–get your counting skills out and tune them up.

Etudes: Each piece provides technical challenges within fun patterns (many times for the LH!).

Inspiration: A fresh change for those who need a break from the classics, but hints of Bach and Beethoven, Chopin do appear occasionally.

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Posted in Composing & Arranging, Music & Technology, Music News, Product Reviews, Teaching Tips

How many minutes do you ask your students to practice?  I’ve come to this question from many angles–as a teacher, colleague, parent, and as a student (long ago!).  It has led me over many years to create a few new aphorisms in my teaching.

1. The more you play, the better you get

That’s a saying I’ve developed for my students.  I have seen some very fine players with terrible-looking technique, or at least technique I wouldn’t recommend.  So how did they get to be so good?  Because they love it, and they play a lot.  They’ve figured out how to adapt to the way they play, and make it work for them.

The student who is so afraid of making mistakes or getting stuck with bad habits that they just don’t play very much is simply not going to get much better.  I think some teachers may need to rethink the fear of bad habits.  It’s our job to reshape and improve how students play.  If progress in one area creates a bad habit in another, we fix it!  If students enjoy themselves by playing a lot and becoming more conversant with their instrument, but make some mistakes or build a bad habit — we fix it!  That is our job.  I do not think it’s our job as teachers to make a student so afraid of screwing up that they can’t experiment, or look ahead in their book, or try something new and different — as long as they honor our requests to practice what we ask of them.

2. The more efficiently you play, the faster you get better

This is the carrot for getting a student to understand and follow instructions.  It’s true that the more you play, the better you get, but if you pay attention to the teacher’s expertise and do things right, do them more efficiently, you’re going to get better a lot faster.

3. It’s not the minutes that count, but the consistency

If a student finds a time in their daily schedule to practice — even if only a few minutes — Read more…

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Posted in Practicing, Teaching Tips

Meet the newest member of my studio: Mikey, by Blue Microphones. Mikey is quickly working his way into my heart as a where-have-you-been-all-of-my-life kind of tool.

Mikey is not my only recording friend. I have loved my Zoom H4 for the last few years. The Zoom is a handy companion. I loved being able to record accompaniments for my students, record them performing to burn CDs for presents for their parents, and record myself playing their repertoire pieces at different tempos to practice. But the interface leaves much to be desired, and the process from the first step of making the recording to handing a CD to a student or emailing them an MP3 file just took a few more steps than I would have liked.

Then Mikey entered my life as a thoughtful Christmas present from my husband. What do I like about him (Mikey, not my husband…)?

He’s plug and play. You plug him into an iPod (check this site for compatible iPods), and use Voice Memo or another recording application such as Evernote or Blue FiRe, check the gain (there are three to choose from. I’ve been happy with the lowest for recording at the piano), and push the record button on the iPod. Whammo. Done. If your students bring their iPods, they have a recording ready to use at home. If your student doesn’t have a compatible iPod, you can easily download the track to iTunes to burn to a CD or put in Dropbox or email.

How am I using Mikey? So far, my main use of Mikey so far has been to record festival pieces at different practice tempos. I don’t always encourage students to play with recordings rather than metronome, but some of them respond better to a performance than to the tick tick tick of the metronome. I have also recorded an accompaniment for an informal audition and recorded a student composition to burn a CD for a festival entry. I envision using him to record concerto accompaniments at different tempos and playing backgrounds for students to improvise with at home. My soprano friend records warmups onto her students’ iPods. I also may consider asking parents to think about buying a Mikey for their own homes, allowing students to record their own compositions or even portions of their practice sessions for me to check or for their own benefit.

Does Mikey take the place of the Zoom? No. The Zoom’s recording quality is higher end and will definitely be my recorder of choice for recitals and most CDs. But my husband bought Mikey for just under $40, and I see that the Zoom’s newer cousin (the H4n) is running around $300. For a low-ish price, great ease of use, and a decent sound quality, I highly recommend having Mikey come to play at your studio.

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Posted in Music & Technology, Teaching Tips, Uncategorized

Just a short post that’s as much for me as all of you, my fellow teachers

Like the old saying: “The teacher teaches what he most needs to learn.”

Most of us who teach have a naturally giving personality.

In fact, a career coach I regularly work with, Barbara Deutsch, told me the first time she met with me over ten years ago that my competitive edge in any industry is…giving.

But like any good quality we may have, we always have to be vigilant to make sure we stay in balance.

I’m not great at this sometimes, okay, often…and I’m guessing many of you have your own struggles with it as well.

What are you doing to fill your own tank creatively? Personally? Read more…

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Posted in Financial Business, Professional Development, Studio Management, Teaching Tips

In one of my earlier posts, I discussed the benefits of having students participate in music auditions, festivals, and other assessment-type programs. Most of my students participate yearly in the National Piano Guild Auditions, and it is this time of the year that I assign their audition program. The National Piano Guild Auditions offer a very flexible audition experience – students can perform anywhere from 1 – 20 pieces, and the choice of repertoire is entirely up to the teacher! While Bach, Mozart and Beethoven will always be staples, I am a big fan of incorporating music from contemporary composers. I would like to share some of my most recent audition-music-gem finds:

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Posted in Product Reviews, Teaching Tips