Photo: cliff1066

Growing up with perfect (or absolute) pitch, I experienced high levels of success in musicianship tests in school and college. Being able to sight-sing and to write down melodies and chord sequences accurately was a breeze, and I could quote passages from set pieces in exams without having to study them. I felt a lot of sympathy for the other students who struggled to write down what they were hearing, or to sing what they were reading, and I witnessed the challenges of teachers trying to help them.

It was when I began to teach that I realized that my perfect pitch was also a handicap. All I had were the tools my teachers had used—for example, matching well-known tunes with intervals (e.g. “Twinkle Twinkle Little Star” for a perfect 5th) so that the student, presuming that they read the interval correctly, would be able to pitch it. But were they supposed to do that for each interval in the whole piece? That was hardly feasible.

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Posted in Music Theory, Practicing, Teaching Tips

This July I got turned on to a new way to record student lessons (by my continual inspiration for my studio, Cynthia Vaughn).  She recommended I use video when recording lessons, instead of recording & saving an mp3 sound file as I had previously been doing.  The camera she recommended is the Zoom Q3, by Samson (CNET review here).

The best thing about this camera is its ease of use.  I have had all my students purchase a 4GB minimum SDHC media card (they’re currently selling for $12-$20).  This allows for 1:23:37 of recording at 48 kHz, 24-bit audio.  At first use, I make sure the student knows that this card needs to be dedicated to voice lessons (warning: don’t let them give you the card out of their digital camera!), as I format the card, and then run the “New Card” program that comes with the camera.  This then places Samson’s “Handy Share” – a super basic video editing/playback program – onto the SD card.  After this one-time setup, all future lessons only require putting the card into the camera & then removing the card at the end of the lesson.  The time that I’ve been taking to save the lesson file onto a USB Flash Drive is completely gone.  My students all feel as if they’ve “gained” time in lessons.

Another completely easy part of the camera is the ease of switching between video and audio.  There is a switch on the side of the camera that toggles between video and solely audio.  There are times where I just want an audio file (such as when recording the notes of a new song), or very quickly video (for speaking a foreign language text where the student can really see what my mouth is doing for articulation).  This ease is AMAZING & well worth the purchase of the camera. Read more…

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Posted in Music & Technology, Product Reviews, Teaching Tips

Wendy Morgan Hunter

Hunting Wabbits

August 16th, 2010 by Wendy Morgan Hunter

Have you hunted any wabbits recently?

When we voice teacher’s hear a singer we immediately begin to process the voice – is the sound effortless, does it move you in some way, is their too much tongue involvement or jaw tension, etc. How often do you put your mind at rest and just listen?

As teachers of voice we spend our time living in the critique mode- seeking out the flaws and embarking upon repairing and reprogramming how those sounds are made to make them more effortless, powerful, efficient, expressive. We live in the “what is wrong” and “how do we fix it” mode.

I challenge you as you embark on your fall teaching to step out of that critique box and into the audience mode. Marvel that even your weakest singers have improved upon something. Hunt for the wabbit! Share that success with the singer! If they are family dependent share that with their families too! Drop them a note or send them an email or stop everything and run out to their car as they pick up their singer and tell them how excited you are about this progress! Read more…

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Posted in Music & Technology, Performing, Practicing, Professional Development, Promoting Your Studio, Studio Management, Teaching Tips

Leila Viss

What it Takes to Motivate

August 12th, 2010 by Leila Viss

Stickers, games, prizes, music money, or competitions…is that what it takes to lure students to stick with an instrument? Is the magic triangular support of student, teacher and parent a promise of guaranteed success?

Gold Medal Winner at Piano Olympics

Dr. Randall Faber with wife Nancy co-authors of Piano Adventures

Dr. Randall Faber states that teaching an instrument is completely dependent upon students’ level of engagement at weekly lessons. As teachers, we must be involved more in the learning that is going on rather than the teaching. Monitoring students’ emotional engagement is the key to making the unfamiliar familiar, and the biggest motivating factor.

At a recent workshop, Faber listed the “facilitative factors of motivation”, in other words, the ages and stages of motivation. His insightful expertise validated and inspired how I teach. For those interested in the scientific facts of his findings see http://pianoadventures.com/about/pdf/MotivationA4.pdf

So…what does it take to motivate? First: KNOW the STAGES of Motivation:

I Can DO It! Ages 4-6. Activities during lessons must be engines of FUN which generate learning. Fun or “play” magically holds the students attention and the motivation to “DO it” (again and again) keeps the kiddos coming back for more. Read more…

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Posted in Performing, Practicing, Professional Development, Teaching Tips

Online Tools to Increase Your Music Teaching BusinessFor some of us, organizing our music studios online takes us into the realm of interactive communications. Like me, many teachers are actively using the internet to teach lessons, seek out new students, and build and manage our reputations.

Using some of the tools from this blog along with the Music Teacher’s Helper program will help keep you organized, communicate with students around the globe, build your base, and make sure your online reputation is rock solid!

Skype and Dim Dim Web Meeting

Skype (www.skype.com) makes a huge difference in my teaching. With webcam, voice and chat all together in one application, you can make sure you’re getting an accurate idea of your student’s technique and how to improve their playing during a lesson. Many teachers shy away from doing Skype and long distance lessons because it is a little daunting to set up – but once you purchase a good camera, get a great picture of your keyboard, and do a few practice runs, you’ll see it can be a very efficient way to teach.

Dim Dim Web Meeting (www.dimdim.com) is another great tool you can use to assist students over the internet. Dim Dim is set up much like a traditional conference, but the screen share can be very effective for music teachers looking to teach online. You can help students trouble shoot applications, go along with them to effective websites that will help in their practice, and help them navigate through your own materials.

Best of all – both these programs are free when using the basic functions, and are very user-friendly.

Kompoz

Kompoz (www.kompoz.com) is a revolutionary way to play music with someone over the internet. Kompoz allows you to play and record sessions with a long-distance online. You can conduct the session privately, and lag time isn’t bad enough to hinder the recording session if both student and teacher have a good connection.

Playing music collaboratively is part of what makes advanced teaching work for many of us, so the ability to record and critique sessions, and share those with your student, can really be helpful. You can also use a simple, free recording program like Audacity  (audacity.sourceforge.net) to record voice notes over the tracks you work on with your student.

Stickam and Ustream

Looking to solicit more students online? With sites like Stickam (www.stickam.com) and Ustream (www.ustream.com), you can stream your own video or audio “show” that you can use to market your materials and get future and current students engaged in your teaching.

Many of us don’t utilize some of these free and easy tools to get new students. If you’re looking to get into music teaching globally, or you’d like to increase your arsenal of marketing materials, video streaming is a great way to do that.

Utilizing some of these tools will help increase your productivity with current students, your branding, and will help you get new students globally, if you’re looking to do so. Used alongside the Music Teacher’s Helper features, these tools could help you create a global reach with your teaching that increases revenue and efficiency for your studio. I am constantly working on new ways to expand my reach via my own website.

What other online tools do you like to use to increase your music teaching business?

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Posted in Music & Technology, Professional Development, Promoting Your Studio, Teaching Tips

Valerie Kampmeier

You got rhythm?

July 28th, 2010 by Valerie Kampmeier

Photo: babasteve

“Eric’s got no sense of rhythm”, sighs his mother, as she drops him off for his lesson one day. “I guess it runs in the family. I never could play in time, and I can’t dance at all.”

“Come on, Eric,” I say, encouragingly, looking down at the anxious nine year old, fiddling with his music case. “Let’s go have some fun.” Later, after we march around the room keeping time with the music and take turns to play rhythmic patterns on the drums, it seems far more likely to me that he’s just been disconnected from his natural sense of pulse and rhythm.

So how can we assist our students in getting back in touch with that natural connection?

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Posted in Teaching Tips

This is one of the really successful music camp activities  we’ve done this summer. During our   Let’s Get Creative Camp, the students all made music creativity journals.  For basic journals,  you can use school composition notebooks found at the local drug store or school/office supplies store. They have a solid cardboard cover that is easy to cover with varied pieces of scrap booking papers and decorations. I chose to use card stock for the covers, with various lined, blank and music manuscript papers for the insides. I have a binding machine, which makes it easy to put together booklets with whatever filler paper you desire. They can also be taken to a copy store and bound for a small fee. After the journals were completed, the students used them to write and illustrate on of each:

  • Poem
  • Silly Song (lyrics set to melody)
  • Simple Instrumental Composition (for piano, drum or other instruments using standard notation)
  • Lead Sheet (notated melody with chord symbols, like you find in a “fake” book, for a nursery song   or other simple song)
  • Lyric Song Chart (lyrics with chord symbol above to indicate chord changes)
  • and…last but not least…

“My Big Event”  Improvisation Game -

(Learning how to organize music while having fun improvising!)

Here’s  how it went:

1 ~ We started out by writing a title at the top of one of the blank unlined pages in their journal. This title was determined by answering this simple  question, “What favorite thing did you do this  summer?”  Some of my students’ titles were: “Sea World”, “At the Fair” and “The Big Swim Meet”.

2 ~ Next, the students were asked to draw three big circles on their page, and illustrate each, depicting three different scenes from their “Big Adventure”.  Read more…

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Posted in Composing & Arranging, Performing, Teaching Tips

A few weeks ago, I returned from a trip to Nashville, where I participated in Summer NAMM as an artist at the Better Audio Booth. This is my second trip to a NAMM show, and each time I find myself returning to the teaching studio with more to offer to my students. If you’ve never attended a NAMM show, I highly recommend going.

NAMM stands for National Association of Music Merchandisers. This group organizes one of the largest music trade shows in the world, called the NAMM show. There two NAMM shows per calendar year. Summer NAMM takes place in Nashville, Tennessee. Winter NAMM, which is the larger show, takes place in Anaheim, California. The Winter 2010 show had 1,373 exhibitors and 87,569 attendees.

NAMM is not open to the general public. NAMM shows are only open to members of the music trade and those who have been invited (visitor passes can be obtained for friends and families).

Most of the attendees fall into 4 categories:

1) an exhibitor (normally this is someone who manufactures or sells a product)
2) a retailer (a rep from a music store that sells new gear)
3) an artist (someone who endorses a product)
4) journalists (such as journalists from magazines that cover the NAMM show, such as Bass Player Magazine or NoTreble.com)

During this year’s summer NAMM, the show did open to the general public for the first time during the final day of the show. Summer NAMM had 12,463 registrants for the three day show.

Music educators can request passes quite easily, and are actually encouraged to do so. One of my peers teaches band at a private school. He emailed the folks at NAMM, told them his creds, and they promptly contacted him to see which NAMM show he wanted to attend. The pass was free. To get a pass, all you need to do is go to the NAMM website and fill out the email form:
www.namm.org/contact

So packing 12,000 to 87,000 people under one convention center roof can make NAMM a crowded, noisy three day experience. And really, NAMM is a place where folks in the music industry try to get business done. So why on earth would a music educator want to attend? There are actually many benefits to going.

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Posted in Music & Technology, Music News, Professional Development, Teaching Tips

Rachel & Craig FINALLY meet (long-time MTH buddies)

I was pleased to be the recipient of a NATS (National Association of Teachers of Singing) Independent Teaching Fellowship this year.  This new award was created by NATS to better facilitate the participation by private studio teachers (who make up most of the membership, but are least likely to hold Board positions) in NATS and attendance at conferences.  The Fellowship covered the cost of the conference fees, as well as a ticket to the private show that Kelli O’Hara gave the conference attendees.  I have to say that I would not have been at the conference without the Fellowship.

Sessions that I attended and their “big ideas” were:

Full Session 1: “Male Voice Master Class,” Stephen King, presenter

The big idea: BREATH is everything, EASE of breath is even more.

Special Session: “Solo/Choral Singing: A Symbiotic Relationship.” Panel composed of: Dr. Sharon Hanson (moderator), Tim Sharp (Executive Director of ACDA), Martha Randall (Past President of NATS), Dr.Brenda Smith (author of Choral Pedagogy), Dr. Brady Allred (Director of Choral Studies at University of Utah), Scott McCoy (NATS Immediate Past President), and Allen Henderson (NATS President). Read more…

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Posted in Music News, Professional Development, Teaching Tips

Apparently “Binaural Beats” are making headlines lately. I have never heard this term before today, but I have been listening to a type of therapeutic music just like this for several years now. I have been a fan of Kelly Howell, a pioneer in digital music therapy, for a couple years now.

Listen people. I am not an expert in this, but I have studied Sound Healing with leading Sound Healer, Wayne Perry, and I have been researching this subject on a weekly basis for over 2 years. Here is my humble take on the freak-out fest:

We all know that music changes the way you feel, right? What if you understood the brain and it’s reaction to music, and you could predict which frequencies and pitches made your brain feel “happy?”Ok, that is what Kelly Howell and many others in this growing field are doing. You put on stereo headphones, listen to this calming music, and if you focus on the music intensely enough, you can go into a deep meditative state. Or you can get “high.” It is all a matter of semantics. Which word do you prefer?

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Posted in Music & Technology, Music History & Facts, Teaching Tips